On a particular Saturday afternoon at the Manhattan Theater Club production of his new play Good People, playwright David Lindsay-Abaire revealed to an exuberant matinee crowd that the compelling characters he created for this play were known to him from his upbringing in South Boston--even down to the detail of the bingo games his mother enjoyed, as well as the googly eyed rabbit figurines. He might have been in Los Angeles that weekend: nominated for an Independent Spirit writing award for the screenplay of his drama, Rabbit Hole, or to support Nicole Kidman who was nominated for the Best Actress Oscar in the film. But obvious to all, Lindsay-Abaire was happy to be at the talk back for Good People.
Of course the word good is edgy. When asked which character is good, he said all of them. Or, none of them. Or maybe Stevie at the end if you define a good person, as the play does, as one who will give money to someone who needs it. In this working class environment in tough times, Margie, as perfectly acted by Frances McDormand under the expert direction of Daniel Sullivan is trapped in "Southie": we see her, boldly honest, loyal, and, as in all great theater going back to Oedipus, proud to a fault; she is the instrument of her own fate. Margaret is a woman of such low expectations, you ask, could she have
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