Bruce Springsteen does not need our help, but he deserves our attention. His new album The Promise returns to his Darkness at the Edge of Town sessions, where we hear and see (there's an accompanying DVD) the agony and exhilaration of songwriting. The Boss was young then, and struggling to find his voice. But throughout his career, what distinguishes Springsteen from most other rockers is his understanding of the American ethos -- the ebb and flow of our collective spirit. His best songs take the pulse of America in the same manner as John Steinbeck and Walt Whitman -- whom Springsteen has clearly read.
Springsteen's 1995 cut "The Ghost of Tom Joad" was his reminder of recent American failures. During Steinbeck's Dust Bowl era our country failed its people in fundamental ways -- food, shelter and hope. Nowadays it's not dust storms and grasshoppers but institutional failure and cultural decay. Tom Joad's impassioned speech about injustice at the end of Steinbeck's Grapes of Wrath is the heart of Springsteen's song. ("Tom Joad" was later covered by Rage Against the Machine, with Zack de la Rocha channeling an angrier Joad: "Shelter lines stretchin' around the corner/Welcome to the New World Order.")
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